domingo, 9 de mayo de 2010

"Commercial"

Sometimes it gets on my nerves how some people criticize some bands, singers or songs and say that they are commercial music. With commercial music they mean the typical “top 40” band or song. I am not really sure if that is the right name you use in English, but I guess it's understandable.

The real meaning of commercial, as an adjective, means that it sells. But lately, it has got a wrong connotation and now it is equals to bad quality and shallow. With this we could describe tunes as the summer song or some songs made to dance at clubs (Lady GaGa, Flo Rida...).
The problem are some people that think they are very clever and they feel superior to the rest. These people tag a musician as commercial as soon as his or her songs are played on the radio, and as soon as many people like it. Or even because it is a catchy song. That usually happens with pop singers, and other singers who mix pop with rock, punk or other genre.

The truth is, and they have to face it, that all the musicians want to sell. No matter how much they love music. They want their music to be listened, appreciated and to get some reward from it. In short, they want to live from music.

The answer to why pop (or its sub-genres and mixed genres) is tagged nowadays as commercial is that it has become very popular, as its name says (pop comes from popular). But it doesn't have to be like this in all the cases. It is true that some pop music sounds artificial, shallow and of course it can be named commercial, but there are a lot pop bands who aren't like this.

About the catchy songs, or catchy chorus, I would like to make a distinction. First of all, you have the true catchy songs with simple lyrics. And then, you have the catchy chorus of a normal song, probably with nice and worked lyrics. Why is this chorus catchy? Well, in my opinion, all chorus can be catchy. They are repeated along the song and they stick in our minds no matter what they are about. It is a normal thing that has to do with our brains.

On the other hand, I believe you can divide singers and bands in three groups.

  • First of all, the typical and unquestionable commercial singer. This is the one-song singer (like the summer songs), the artificially created bands or singers (Spice Girls, Back Street Boys or Boney M back in the 70s) and the bands or singers that write simple catchy songs (or they are written by others) to sell (as Aqua or Boney M). But hey, they make us dance and we have a good time, don't we?
  • Secondly, those artists who are called bad or commercial because many people like them and obviously they sell. This would be, as I said before, some pop artists like Mcfly, Son of Dork, Simple Plan (pop rock happy punk), even Hedley (pop rock punk) and Green Day (pop rock punk). And in Spain – El sueño de Morfeo, El canto del loco, etc. 
  • On the third and last place, we have the untouchable, the never-will-be commercial. These are mainly rappers and plain rockers (also classic rockers). It seems like these could never be called commercial and they will never be. And people who only like one of those feel superior and untouchable.  
But as my dad says, real music lovers don't focus only on one style.
    P.S: As you might have noticed, some of my favorite bands (Simple Plan, Mcfly and Hedley) were included on the second group. This is probably one of the reasons of why I wrote this post. I don't like my favorite artists to be called commercial and shallow when they are great musicians and songwriters. Fame came to them because of the latter!
    P.S 2: I believe that if The Beatles sang nowadays, with the same style, they would be called commercial by some people. Of course, in their time they couldn't be commercial because they were pioneers on pop and very original. But nowadays, all their happy nice catchy songs would be looked down by many. Don't worry, I think they were great, that was just something I thought.

sábado, 8 de mayo de 2010

Why don't you meet me down behind the old school?

"Don't believe everything happiness says
Nothing feels better than hiding these days
We bury our fears in the drinks, in these tears
For the days we believed we could fly"

That's how the Hedley's song Old School starts. Do you remember Hedley? I have already talked about this Canadian band. It is one of favorite. 
Old School is a song about growing up and about how freely we behave when we are young. And most important how we do miss this when we have grown up, how we miss our old friends and how sad this can make us. The verse I wrote above is about the former and I think is very poethic and beautiful. I cannot really tell about that kind of feeling, because I am just 19, but I can already feel nostalgic about my chilhood, even my adolescence. But not my youth! Well, what I wanted to say is that even if I am young I can relate to this song and appreciate its soul. I suppose it may be sad when you look back and think that everything was better then, as the first verse says.

Not only the lyrics are nostalgic, a bit sad (but happy for the memories) and emotional, but the music also contributes to this emotion with a nice guitar tune and makes the listener feel what the writer felt. As you can see, I really like this song.
The lyrics follow talking about calling your old friends, going together to the place you used to go and where you used to stay all night long and of course, remembering together the old times and wondering how the time passed so fast:

Call up your brothers and sisters and friends,
We'll go back to the place where the night never ends,
We'll remember the fires, the burning car tires,
Boy how in the hell did we get here?

Then it comes the chorus. The writer suggests going to their old school and, again, remember their youth and how they behaved: carelessly, with no responsibilities, but with regard for how they were with girls. And at the same they remember they will feel that if they forget all those memories his true soul, or his young soul, will fade away. My favorite part in the chorus is when he says "that beautiful insanity". It is true, when we are young, we act stupid and crazy but withouth going too far (usually) but it is beautiful because we are young.

So why don't you meet me, down behind our old school,
We'll waste away the weekend with perfect regard for how cavalier we used to be,
That beautiful insanity, the apathy's surrounding me,
Don't close your eyes or we'll fade, away.

Then he explains that everything has gone fast, he has grown up so fast, or at least it seems to him. He makes a connection between the line that says "we'll remember the fires, the burning car tires" and another line that says "now we're putting out fires and changing car tires". And he asks himself again how time passed so fast.

Over and over and over again,
We sat down for a minute grew up into men,
Now we're putting out fires and changing car tires.
Man how in the hell did we get here?

After the chorus is repeted, comes my favorite and final part of the song. In this part, he remembers things of his youth and things he did, and says that he is never going to have those things again because he has grown up. But those things and those feelings he felt were real, were intense. And I guess he is remembering with joy.

And we'll never get back what we gave away
When we still had that fire in our eyes.

Don't believe everything happiness says,
Nothings as real as our old reckless ways,
When we'd drink by the fires, the burning car tires,
Bad girls and good liars, the dreams we conspired,
The days we went crazy, the nights wild and hazy.
Man how in the hell did we get here?

I can't really explain what he means with the happiness thing here, besides from what I said in the begining about being sad.

I would like to say something else before finishing this. When I first listened to this song I was in Canada and I used to listen to it a lot. That's why now when I listen to it it reminds me of my year in Canada and of my friends from there. I can also relate to some things that the songwriter remembers: "we'll remember the fires", "waste away the weekend",  "with perfect regard for how cavalier we used to be" ( not me), "beautiful insanity", "when we'd drink by the fires", "bad girls and good liars" (not me :) ), and of course! "the dreams we conspired, the days we went crazy, the nights wild and hazy".


I have good memories of it, don't I? :) 


Lyrics: http://www.azlyrics.com/lyrics/hedley/oldschool.html

Song in YouTube: http://www.youtube.com/watch?v=e9AXKkJF1sM

If anyone wants, I recomend this video of the song in live: 
http://www.youtube.com/watch?v=CF_VJ3VUU_0&feature=related

sábado, 1 de mayo de 2010

Barbie Girl




Hello Bloggers!
I'm back again, ready to write more about music and lyrics. Lately I've been listening to a lot of music in English so I've got some songs picked up to talk about here. But the song I'd like to talk about today it's neither new nor I've been listening to it recently. Do you remember a band called Aqua that sang Barbie Girl back in the nineties?
Yes, the bald boy and the red-haired girl (along with their band). The song was a hit in 1997, and got to number one in many countries - like Spain, Australia, Belgium, France, Germany, Norway, UK, etc. Barbie Girl has been classified as bubblegum pop. I believe this is important because bubblegum pop refers to songs that “typically have singalong choruses, seemingly childlike themes and a contrived innocence, occasionally combined with an undercurrent of sexual double entendre. They also have a catchy melody, simple chords, simple harmonies, danceable beats, and repetitive riffs or "hooks". The song lyrics often concern romantic love (...)”, says Wikipedia.
Even if the quality of the song has been questioned many times I can't deny that the song never gets old for me and I have to admit that I have it on my MP3. Probably, because it reminds me of my childhood. Yeah, because when the song appeared I was 6 and I was crazy about it.
But where I wanted to get is the fact that I was a child and I didn't understand English, however, now that I do I have realized that the lyrics has double entendre and that they are pretty dirty and sexist. Well, you could think they are dirty.

For example,

I'm a blonde bimbo girl in the fantasy world
Dress me up, take your time, I'm your dollie
You're my doll, rock and roll, feel the glamour in pink
Kiss me here, touch me there, hanky-panky

You can touch, you can play
If you say I'm always yours, oooh whoa


First of all, a girl calling herself “blonde bimbo girl” is not right. Who would call herself that? But we know that sex sells and money is very important... In case you don't know, bimbo is an adjective used in popular 20th century-English to refer to an attractive but unintelligent woman. Furthermore, she calls herself a doll and the guy does too. So, for me, the conclusion is that the girl is treated as a sexual object.
“Kiss me here, touch me there, hanky-panky”? Well, I think this line is very sexual and confirms what I said about the girl being treated as an object. With the excuse that they are talking about a doll you can play with, they talk about playing and touching. What did they want us to think? And there is a plus, the chorus also has hidden sexual messages:

You can brush my hair, undress me everywhere
Imagination, life is your creation

Apparently, it looks fine. You can brush your doll's hair, you can undress her where ever you are playing with it and imagination is basis of playing. But, after all that is said before (playing, touching, “I'm your doll”, “you're my doll”, etc.), don't you think that these two lines could be saying something more?
Then we have the following verse:

Make me walk, make me talk, do whatever you please
I can act like a star, I can beg on my knees
Come jump in, be my friend, let us do it again
Hit the town, fool around, let's go party

We can see that the idea of the girl as a sexual object is reflected again on the line “do whatever you please”.
After this line, we have the most controversial sentence, at least for me. I am talking about “I can beg on my knees”. The only thing that comes to my mind is: What??. I can admit that the other lines are just talking about playing with Barbie dolls, but this line is too much. It doesn't happen very often that a girl makes her doll beg when playing. It might happen, depending on the story the girl invented. But let's just say that kids don't go that far on their stories.
So, if you add “I can beg on my knees” to all the other double entendre lines, what do you end up thinking about this song?

To conclude, I would like to say that, besides the suspicious lines, what makes me think that this song has a double entendre about sex is that the lyrics are supposed to be a conversation between the dolls Barbie (female) and Ken (male). The sentences that Barbie says about playing, undressing and being a doll could be perfectly fine if she was talking to a human. But she is talking to Ken. So Ken is the one who can play with her. There it is the double sense.


Song in YouTube:
http://www.youtube.com/watch?v=_dGcYH6Fwj8

Lyrics: 
http://www.purelyrics.com/index.php?lyrics=fhjpacrk